‘Exotic Exercise’
Two video images are projected. One on a transparent screen that hangs free in space, the other on the
wall beside it. Various ‘exotic’ faces are
taking it in turns on the right-hand screen. They are apparently speaking
or singing to us, although we cannot hear their voices. The images,
which originate from satellite-TV stations, do not correspond with
the sounds. The original sound that belongs to these images can only
be heard now and then, through a amplifier placed on the floor, a
few meters from the screen. The rest of the sound consists of music
from internet radio channels, and emanates from a megaphone hanging
just ‘behind’ the screen. The two sources of sound (the original sound
and the recordings from internet radio) alternate with some regularity.
By means of an image-processing technique, the mouth of the person
that can be seen on the screen is fixed precisely in the centre of
the screen. The head is moving, but the mouth remains centred in the
middle. The microphone is placed in the beam of the video projector
in such a way that it casts a shadow onto the centre of the image.
A video projection covering the entire wall shows silvery, grainy
images of a mouth whose lip movements exactly follow all the spoken
text and song. We are being approached from various sources, but how
are we supposed to understand what is being said, sung or shouted
here? The languages being spoken are mostly unintelligible. The image
and sound material has been manipulated in such a way that we are
inevitably tempted to look for connections and meanings. Our perception
and certain elements of coincidence make it seem as though, if only
we can hold on for long enough, there are moments at which image and
sound correspond. However, no clear meanings emerge. In this way,
information becomes sound-and-image poetry, and watching and
listening turns into pure seeing and hearing. |